Photography by Robb Klassen

About

Wylie Cable is a Los Angeles born artist, musician, and the founder of Dome of Doom Records, an independent artist owned label that has been putting out new experimental and forward thinking music over the past decade from the international music communities finest up-and-comers as well as celebrated producers from the LA scene and beyond who have helped define genres with their virtuosic catalogues. Wylie Cable has released nine full length albums of his own music on Dome of Doom as a solo artist since the labels inception, and continues to produce new records and tour with artists from the label roster.

"Art, by itself, is an attempt to bring order out of chaos." -Stephen Sondheim. Channeling ones influences, ideas, and emotions into impactful art requires both talent and unwavering dedication. A multi-instrumentalist, producer, DJ, concert organizer, and visual artist, Wylie Cable brilliantly orchestrates the chaos of the human experience both in and outside of the studio.

When performing at clubs and festivals, Cable arranges dynamic rhythms and disparate genres to create an immersive, high-octane show, blending and transforming everything from head-nodding hip-hop to sub-shattering bass music and ethereal psychedelia. You can also find archives of his prolific radio performances on renowned taste-making stations like The BBC, NTS, RINSE FM, Dublab, Red Light Radio, KCRW, KXLU and many more, featuring music from all eras of Dome of Doom Records releases, skillfully mixed and reinterpreted by the label founders highly tuned ear. Working with Strangeloop’s Teaching Machine collective now re-titled “Strangeloop Studios”, Cable formerly moonlighted as skilled a VJ, helping artists like Flosstradamus, RAC, Autolux and Lauryn Hill achieve striking live visuals on tours and global festival dates.

In the hours that he isn’t behind the turntables or working on his next album, Cable channels his passion for music into running one of the Los Angeles’ most essential record labels. Since 2011, Dome of Doom has been a bastion for forward-thinking electronic music, an incubator for the next generation of innovative artists spawned from Los Angeles’s famed “beat scene.” With over 200 releases— many available via cassette and vinyl at record shops around the globe—the label is a driving force in Los Angeles and beyond, releasing albums from newly ascending artists like Jon Casey, Huxley Anne, DJ Swisha, QRTR, thook, AHEE and Holly as well as lauded veterans like Daedelus, Bleep Bloop, Odd Nosdam and Kenny Segal.

Now in its twelfth year, Dome of Doom has one foot firmly planted in the physical realm, and another in the digital realm, deliberately balanced by an ear for contemporary and futuristic sounds. No matter the genre or subgenre, each project features an array of innovative instrumentals, the emphasis on head-nodding low end and the ethereal. With releases from foundational and influential artists, as well as promising newcomers, the label serves as a bridge which the LA beat scene needs to continue to evolve.